Description

I am selling this RME fireface ucx in great condition with its original box as I am no longer using it.

COLLECTION OPTIONS:
- Collection: To be picked up in DUBLIN 1, IFSC next to the convention centre
- Can post it if the buyer covers the cost

PAYMENT OPTIONS:
- Cash
- Revolut

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
Product Ref: 40983
Full Description
The result of this effort is one of RME's most successful products. The Fireface UCX continues the tradition of RME's tremendously successful compact interfaces, reinventing an already near-perfect product, improving existing features and characteristics as well as adding sophisticated new ones.
Contained in a half-rack unit, the UCX is more powerful than most 19 inch units. All in all, the Fireface UCX is the new compact-sized dream interface, created with care for every detail and a new premium solution for any desktop and live use, without compromising in sound, stability and ulta-low latency operation.
The UCX provides 36 channels of audio - 18 I/Os. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 seperate tracks. All outputs can be used for ASIO Direct Monitoring purposes.
The UCX is equipped with an A/D and D/A high-performance converter design, all I/Os operate at up to 192kHz. In the best RME tradition, the UCX converters and preamps have no characteristic 'sound' of their own, they neither add nor remove anything, but capture the original signal just as it is. There are Low Latency converters, pro-level support and a SteadyClock which finalises the state-of-the-art AD/DA conversion, even when clocking to an external digital source.
The UCX provides two high-end mic and instrument preamps, built right into the front. The outstanding preamp design boasts extremely low distortion, excellent signal-to-noise ratio and a perfectly flat frequency response.
Each channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.
A complete effects engine comes in the form of the DSP-based TotalMix mixer, fully supporting independent routing and mixing of all 18 input and playback channels to all 18 physical outputs. The improved Control Room allows you to cue studio monitors and phones for quick listening to other outputs. Trim Mode adjusts the volume for all routed signals of a channel, and it's packed with other features such as and Extended Matrix, Expandable Channel View and four Mute, Solo and Fader groups each.
Features / Specifications

Low latency mastering grade converters with outstanding specifications
Two mic preamps with premium technology, including AutoSet overload protection
A newly developed Hammerfall audio core
Monitoring controller, combinign impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control
DIGICheck metering and analysis toolbox for Windows PC and Mac
Support for RME's Advanced Remote Control
The first professional audio interface with Class Compliant mode to work with Apple's iPad
AD, Line In 5-8, rear
Signal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz
Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz
Frequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz
THD: <-105 dB
THD+N: <-98 dB
Maximum input level: +19 dBu
Channel separation: > 110 dB
Input: 6.3 mm TRS jack, electronically balanced
Input sensitivity: switchable to Lo Gain, +4 dBu, -10 dBV
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu
Input level for 0 dBFS @ -10 dBV: +2 dBV
Line In 3-4, front
As AD, but:
Additional Gain stage: 0 up to +12 dB
Maximum input level, Lo Gain, Gain 0 dB: Line +19 dBu, Inst +13 dBu
Maximum input level, -10 dBV, Gain 12 dB, Line: -7,5 dBu, Inst: -13,5 dBu
Input impedance Inst: 470 kOhm
Input Gain Inst: +6 dB
Input mode: Line balanced (TRS), Inst unbalanced (TS)
CLIP LED: 0 dBFS
SIG LED: -60 dBFS
Microphone/Line 1-2, front
as AD Line In 5-8, but:
Input: Neutrik XLR/TRS Combo jack, electronically balanced
Input impedance: XLR 2 kOhm, TRS 8 kOhm balanced
Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
Low Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz
Gain range: 0 dB, +10 up to +65 dB
Maximum input level XLR, Gain 0 dB: +10 dBu
Maximum input level XLR, Gain 65 dB: -55 dBu
Maximum input level TRS, Gain +0 dB: +21 dBu
Maximum input level TRS, Gain +65 dB: -44 dBu
CLIP LED: 0 dBFS
SIG LED: -60 dBFS
DA, Line Out 1-6, rear
Dynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)
Frequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz
Frequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz
THD: -100 dB,
THD+N: -96 dB,
Channel separation: > 110 dB
Maximum output level: +19 dBu
Output: 6.3 mm TRS jack, servo-balanced
Output impedance: 75 Ohm
Output level switchable: Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV
DA - Phones, 7/8, front
As DA, but:
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 30 Ohm
Word Clock
BNC, switch for internal termination 75 Ohm