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Audio Warehouse


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Raheny, Dublin


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  • Isoacoustics L8r130

    3 The IsoAcoustics ISO-L8R130 Home and Studio Speaker Stands Fine-tune your sound the way it's meant to be heard The IsoAcoustics ISO-L8R130 speaker stands are now available for smaller studio monitors, bookshelf and desktop speakers. Like its predecessor models, the ISO-L8R130 is designed to improve the performance and clarity of any speaker system, and features the company's patented "floating" architecture for audio image stabilizing. http://www.isoacoustics.com/video_difference.php https://www.adverts.ie/shops/audio-warehouse/ http://www.audiowarehouse.ie/

    9 months ago 16 comments
  • Ev Sz100+e

    3 Compact, portable sound reinforcement Ideal for live sound, speech, DJ, AV, institutional use 1.25-inch DH3/2010A titanium HF compression driver 65 x 65 Constant-directivity Varipath horn High efficiency, 127 db maximum SPL Power handling: 200 W continuous, 800 W peak Ring-Mode Decoupling (RMD) for increased intelligibility Trapezoidal black or white copolymer enclosure Integral monitor stand, pole mount, rigging points SX300E also available at 400.00 each http://www.electrovoice.com/product.php?id=200 www.audiowarehouse.ie

    9 months ago 0 comments
  • Rme Babyface Pro

    3 Overview Connectivity 12 Input and 12 Output channels 4 x Analog Inputs (Mic, Line, Instrument) 4 x Analog Outputs (2 x XLR, 2 x Phones) 1 x ADAT I/O or 1 x SPDIF I/O optical 1 x MIDI I/O 1 x USB 2.0 (USB 3 compatible) Digital Gain control on all inputs Separate outputs for high and low impedance headphones TotalMix FX (with EQ, Reverb, Echo) The exciting Babyface Pro once again demonstrates RMEs absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion. http://www.rme-audio.de/en/products/babyface_pro.php https://youtu.be/4atx4C0o3Zg https://youtu.be/-hVDevYFRU4 https://youtu.be/lhg3usxgG7U

  • Rme Fireface Ucx

    3 The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability. The result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones: Low Latency mastering grade converters with outstanding specifications. Two mic preamps with the premium technology from RME's high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection. A newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols. TotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz. Monitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control. RME's unique DIGICheck metering and analysis toolbox for Windows PC and Mac. Plus support for RME's Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I/Os. On top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple's iPad, for perfect stereo up to 18 channel recording and playback, and the addition of truly professional I/Os. So the UCX is a half rack unit, which is actually more powerful, than most 19 inch units. All in all the Fireface UCX is the new compact-sized dream interface, created with care for every detail, and a new premium solution for any desktop and live usage, without compromises in sound, stability and ultra-low latency operation. http://www.rme-audio.de/en/products/fireface_ucx.php https://www.youtube.com/watch?feature=player_embedded&v=Xd3jpm2cW38 https://www.youtube.com/watch?feature=player_embedded&v=rlwC8NCh0hQ https://www.youtube.com/watch?feature=player_embedded&v=dfT1tnvnkDs www.audiowarehouse.ie

  • Rme Madiface Usb

    3 MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality. Its sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME. Record/Playback channels: 64 in / 64 out 2 x MADI I/O (optical and coaxial) TotalMix No external power supply required Stand-alone mode operation Seamless Redundancy Operation http://www.rme-audio.de/en/products/madiface_usb.php#6 http://www.rme-audio.de/download/case_studies/RME_Nick_Howard_Case_Study.pdf https://www.youtube.com/user/RMEAudio www.audiowarehouse.ie

  • Rme Fireface 802

    3 Musikmesse 2014: The Fireface 802 renews RMEs reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features: Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RMEs unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac. TotalMix FX, RMEs digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller. The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RMEs app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features. The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19 enclosure. An interface designed for users who dont want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 30 Input / 30 Output channels 12 x Analog I/O 4 x Mic/Instrument Preamp 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical) 1 x Word Clock I/O 1 x MIDI I/O FireWire or USB operation TotalMix FX http://www.rme-audio.de/en/products/fireface_802.php https://youtu.be/IHRr_63gGFU https://youtu.be/kyncAtGjOp4 www.audiowarehouse.ie

  • Rme Fireface Ufx

    3 60 channels of audio! Digitally controlled high-end preamps, reference class converters and full 192 kHz operation. Ultra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. Including active jitter suppression, professional reference level support, advanced stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and - of course - nearly identical operation and features on Windows PC and Mac. DURec: Direct USB Recording: The UFX provides a spectacular feature: an integrated digital recorder for all inputs and outputs directly to USB memory devices - USB thumb drives or hard drives with up to 2 TB capacity - via the front USB port. Independent from a connected PC or Mac. On top of it: TotalMix FX, the new digital high-end mixer and signal router, driven by two powerful DSP, with integrated EQ, Dynamics and Reverb/Echo effects up to 192 kHz plus a built-in monitoring control. The full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX. RME's new Fireface flagship is a highly integrated pro audio solution, a full-blown studio packed in a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best - and even a bit more. 30 Input / 30 Output channels 12 x Analog I/O 4 x Mic/Instrument Preamp, digitally controlled 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical) 1 x Word Clock I/O 2 x MIDI I/O 1 x FireWire 400 1 x USB 2.0 TotalMix FX http://www.rme-audio.de/en/products/fireface_ufx.php https://www.youtube.com/user/RMEAudio http://www.rme-audio.de/download/case_studies/RME_Mixbus_Case_Study.pdf www.audiowarehouse.ie

  • Conducfil

    3 AVAILABLE FROM STOCK a range of bulk audio cables from CONDUCFIL to include: INSTALLATION CABLE: A thin balanced cable for Analogue and AES ( in drums of 250Mts) MICROPHONE CABLE A high quality mic cable with cotton former and lap screen, low memory in drums of 100 STAR QUAD Specialist microphone cable for use in electrically noisy environments, drums of 100mts INSTRUMENT CABLE High Quality low memory Instrument cable, in drums of 100mts MULTIPAIR Available in 4,8,16 and 24 Pair individually jacketed and numbered multi pair cables sold by the mt. For prices please enquire. We also supply Neutrik Connectors and can make completed cables to order. http://www.conducfil.com/en/ www.audiowarehouse.ie

    1 year ago 0 comments
  • Behringer Ha4700

    3 POWERPLAY PRO-XL HA4700 4-Channel High-Power Headphones Mixing and Distribution Amplifier Professional, multi-purpose headphones amplifier system for stage and studio applications Highest sonic quality with virtually all types of headphones >8 Ohms even at maximum volume 4 independent high-power amplifier sections provide up to four stereo mixes with individual balance controls Each input/aux section can be separately adjusted for 'more me' mixing Stereo Aux input for each channel allows you to mix in any instrument or sound source Multi-functional Stereo/2-Channel switch on each channel allows for either stereo playback or double mono operation https://www.adverts.ie/shops/audio-warehouse/ http://www.audiowarehouse.ie/

  • Beyer M58

    3 Dynamic ENG/EFP microphone (omnidirectional) The M 58 has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. Its sophisticated internal shockmount dramatically reduces handling noise, while the microphones frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58s weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. Its rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58s slim profile and non-glare finish result in a low profile on camera. http://www.polaraudio.co.uk/beyerdynamic-M-58/product/403660/403660/ http://audiowarehouse.ie/

    1 year ago 0 comments
  • Beyer Mce 82

    3 NOS (new old stock) Beyer professional Stereo microphone boxed with accessories.

    1 year ago 0 comments
  • Rode Ntg1

    3 Broadcast sound quality Low noise circuitry Super-cardioid polar pattern Condenser transducer Rugged metal construction Two step High Pass Filter (Flat/80Hz) Low handling noise Low weight - 105g (3 oz.) Includes mic clip, wind shield and zip case Ideal for professional applications within the film, video, television and production industries 10 year extended warranty when you register your microphone The RDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone. In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications. The RDE NTG1 shotgun microphone is designed and made in Australia, and covered by RDE Microphones' industry leading 10 year warranty. http://en.rode.com/microphones/ntg-1 https://youtu.be/OllVBOLclwY https://www.adverts.ie/shops/audio-warehouse/

    1 year ago 8 comments
  • C535eb

    3 AKG C535EB condenser vocal microphone http://www.akg.com/site/products/powerslave,id,262,pid,262,nodeid,2,_language,EN.html

    1 year ago 4 comments
  • K&M 23105

    3 23105 Table microphone stand - black EAN: 4016842216802 Inexpensive, handy table microphone stand for professional use. Sturdy plastic base with collapsible light-weight plastic legs and 5/8" thread. Also, the AKG ST1, now discontinued, all metal construction, 18 euro https://www.adverts.ie/shops/audio-warehouse/

    1 year ago 0 comments
  • Auralex Mopads

    3 Monitor speaker isolation pads with various angle settings. Hear the music not the stands! https://www.adverts.ie/shops/audio-warehouse/ http://www.audiowarehouse.ie/

  • Auralex Mudguard

    3 Auralex MudGuard Reflection Filter & Microphone Isolator The Auralex MudGuard isolates your mic by eliminating external noise bleed and filtering out external overtones. This design is engineered for maximum effectiveness using Studiofoam to reduce excessive room ambience and off-axis sound.Mounts easily to most microphone stands and clips. Isolates your mic Eliminates external noise bleed while filtering unwanted external overtones Reduce excessive room ambience and off-axis sound Engineered design and Studiofoam for maximum effectiveness Mounts easily to most microphone stands and clips http://www.auralex.com/product/mudguard/ https://www.adverts.ie/shops/audio-warehouse/ http://www.audiowarehouse.ie/

  • Neve 8804

    3 The overwhelming reception for Neves 8816 Summing Mixer gave rise to one regular question: can I add faders? The answer is the Neve 8804 Fader Pack, the perfect companion to the 8816. Designed for rackmount or table top use, the 8804 features 16 long-throw channel faders with associated mute switches and two long throw master output faders. Veteran engineers will appreciate the feel of the faders under their hands as they ride levels and make sensitive adjustments to the mix. Connection to the 8816 is straightforward analogue audio, and the sound is pristine. The Neve 8804 not only adds fader control to the 8816, it provides expanded functionality. Each 8804 channel fader has a direct output, and these can be set to pre- or post-fader. These direct outputs can then be used to feed effects units, to make separate recordings of individual elements of a mix, or for multi-track recording of signals from the 8816. The channel level pot on the 8816 becomes a dedicated auxiliary send for an outboard reverb unit, letting users add that extra touch of class to the mix. The 8804 is equipped with our proprietary Recall utility program for flexible use alongside a computer-based system. Recall enables your Mac or PC to store and recall all of the 8804s settings, boosting your productivity. Put simply, this is Neve engineering at its best. http://www.ams-neve.com/products/outboard/8804-fader-pack https://www.adverts.ie/shops/audio-warehouse/

  • Neve 8816

    3 It sounds fabulous and sublime. Its huge headroom and the classic transformer mixing topology endow the mix with an effortlessly silky quality that just screams 'analogue' at the listener. - Hugh Robjohns (Sound on Sound) The sound of Neve has been the audio recording benchmark for generations of leading engineers, musicians and producers. Wherever sound matters from a full orchestral recording for a blockbuster film to a lone singer, from a rock drummer to an RnB vocal Neve provides the warmth, punch and definition so sought after by virtually anyone who has touched a fader. With the new 8816 Summing Mixer, the legendary sound of Neve now becomes available to computer-based producers. Hand-built and hand-wired at the Neve factory in Burnley, England, the 8816 allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the 8816 to be saved to a PC or Mac and recalled ready for remix. But what about the sound? Glad you asked. The 8816 uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. In the words of Hugh Robjohns at Sound on Sound magazine, 'The critical issue is what [the 8816] sounds like. The answer is simple: it sounds fabulous and sublime. Its huge headroom and the classic transformer mixing topology endow the mix with an effortlessly silky quality that just screams 'analogue' at the listener.' For those requiring digital output, the 8816s analog-to-digital conversion option supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire 8816 mixer. If sixteen inputs arent enough for your mix, multiple 8816 units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the 8804 Fader Pack, which provides 18 long-throw faders for hands-on control. But most importantly, its the classic Neve sound that keeps producers coming back to the 8816. We invite users to read the many favorable reviews online, and then visit their local authorised AMS Neve reseller to have an in-person listen. http://ams-neve.com/products/outboard/8816-summing-mixer http://www.soundonsound.com/sos/aug06/articles/neve8816.htm https://www.adverts.ie/shops/audio-warehouse/

  • Neve 4081

    3 I recorded a flute, violin and voice with it and the quality of sound was incredible. The recordings I was able to achieve had an "immediate" quality to them with an incredible depth of sound - I won't be recording anything without the 4081 as the front end from now on. - Toby Wood (Recording Engineer) The 4081 Quad Mic Preamp builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound. Perfect for vocals, ADR and Foley Recording, the 4081's features make it the number one choice for any studio, OB truck or live stage environment. Every function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or PC with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs all controlled from a single computer. And now with Version 2.00 software, metering information is displayed within the Remote Mic Control window, which is passed back from the 4081 unit(s) to the Remote Mic Control software running on the computer being used for remote control. http://ams-neve.com/products/outboard/4081-quad-mic-preamp http://ams-neve.com/sites/amsneve/files/images/products/4081-quad-mic-preamp/reviews/40812012reviewpsnefeb2011.pdf https://www.adverts.ie/shops/audio-warehouse/

  • Neve 1073dpx

    3 Launched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists. Found on some of the most famous recordings of the past 40 years, the big, punchy sound of the 1073 complements any musical genre from rock to rap to classical. The quality is legendary. Designed and built in England, the modern-day 1073DPX is produced to the exact specifications of the original with matched components to ensure the sound remains true. The 1073DPX has two channels of Neve 1073 Class A design microphone preamplifiers, each with 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter, adding warmth and depth to recordings, bringing out subtle ambience, maintaining spatial positioning, and capturing a more precise image embodying, think many engineers and producers, the essence of the genuine Neve sound. Building on the 1073 classic module features, the 1073DPX introduces extra functionality with integrated DI input, phantom power, selectable Insert feature, level meters, selectable headphone monitoring and I/O connectors on each channel for easy and direct connection of microphones and instruments. The 19 rack-mount 2U unit includes an external multi-voltage PSU http://www.ams-neve.com/products/1073dpx http://ams-neve.com/news-and-events/award-winning-neve-1073-mic-preamp http://www.soundonsound.com/sos/mar15/articles/neve-1073dpx.htm https://www.adverts.ie/shops/audio-warehouse/

  • Neve 1073dpd

    3 The 1073DPD combines two of our world-famous Class A Neve 1073 microphone preamplifiers with flexible 192kHz digital output capabilities, for modern recording environments all in a single rackspace. This classic design is the consummate mic pre for capturing vocals and musical instruments, with the added convenience of direct output to hard disk recorders or computers, thanks to the high-quality Neve-designed analogue-to-digital converters. For those who dont already know its legacy, the big, punchy sound of the mic 1073 preamp complements any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments. With the 1073DPD, two Neve 1073 mic preamplifiers are complemented by superb Neve-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve's famous Class A analogue, outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology. Despite its power, the 1073DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel 10dB Trim controls. Analogue insert points are provided ahead of the A/D converters, ensure the classic Neve sound is retained. The combination of legendary analogue circuitry and superior digital quality makes the 1073DPD the obvious choice as a front-end for recording to digital workstations. http://www.ams-neve.com/products/outboard/1073dpd-stereo-mic-preamp http://ams-neve.com/news-and-events/award-winning-neve-1073-mic-preamp https://www.adverts.ie/shops/audio-warehouse/